1,251 Royalty-Free Audio Tracks for "5 Limit Tuning And Intervals"

*Ninety-third harmonic on C = F♯+ (Ben Johnston's notation). Just: 93/64 = 646.99 cents. Limit: 31-limit. MIDI pitch bend: 5,79

*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66

*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. Limit: 3-limit.

*Eleventh harmonic on C = F↑ (Ben Johnston's notation). 11:8 = 551.32 cents. Limit: 11-limit. MIDI pitch bend: 54,80

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Compound just perfect fifth on C. Also the 833 cents scale step 16 (2). 1901.96 cents. 3/1

Pythagorean diminished third on C. 65536 : 59049 180.45 cents.

*Square root of 5 on C. √5/2 = 193.16 cents. MIDI pitch bend: 103,61

Square root of 5 on C. √5 : 1 = 1393.16 cents.

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

Just perfect fifth on D = A+. 3:2 = 701.96 cents.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

5-tet scale on C. Pitch bend matches intervals.

*5 steps in 7-et on C. Equal-tempered: 25/7:1 = 857.14 cents. MIDI pitch bend: 37,50

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. Play by clarinets.

Tritave dyad (interval)

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

*2 steps in 5-et on C. Equal-tempered: 22/5=4/10:1 = 480 cents. MIDI pitch bend: 77,57

*1 step in 5-et on C. Equal-tempered: 21/5:1 = 240 cents. MIDI pitch bend: 102,76

*5 steps in 31 equal temperament on C. Equal-tempered: 25/31:1 = 193.55 cents. MIDI pitch bend: 120,61

*5 steps in 41 equal temperament on C. Equal-tempered: 25/41:1 = 146.34 cents. MIDI pitch bend: 106,78

*5 steps in 34-et on C. Just: 25/34. Equal-tempered: 25/34:1 = 176.4705882352941176 cents. MIDI pitch bend: 60,56

*4 steps in 5-et on C. Equal-tempered: 24/5:1 = 960 cents. MIDI pitch bend: 25,51

*5 steps in 18-et on C = ??. Equal-tempered: 25/18=20/72:1 = 333.33 cents. MIDI pitch bend: 85,74

*5 steps in 72 equal temperament on C. Equal-tempered: 25/72:1 = 83.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 84.375 cents rather than 83.335. New version a PU on 85,90 for 83.3251953125 cents rather than 83.335.

*Major tone on C = D. 9:8 = 203.91 cents. Limit: 3-limit. MIDI pitch bend: 32,65

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64

*Just perfect fourth on C = F (Ben Johnston's notation). Just: 4:3 = 498.04 cents. Limit: 3-limit. MIDI pitch bend: 48,63

*Just perfect fifth on C = G. 3:2 = 701.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64 MIDI file.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

*Diminished fifth tritone (Pythagorean diminished fifth) on C = G♭-. 1024:729 = 588.27 cents. Limit: 3-limit. MIDI pitch bend: 32,92 on P4

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line and difference tones.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Difference tones.

Pythagorean major chord on C.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.

* on C = C. Just: 1/1 = 0 cents. Limit: 3-limit. Single note of Just BP Diatonic Scale: C.

*Single note of just BP diatonic scale on C = C'. Just: 3:1 = 1901.96 cents. Limit: 3-limit.

*3 steps in 5-et on C. Equal-tempered: 23/5=6/10=9/15:1 = 720 cents. MIDI pitch bend: 51,70

*Pythagorean diminished seventh on C = B--- (Ben Johnston's notation). 32768:19683 = 882.40 cents. Limit: 3-limit.

*Pythagorean augmented seventh on C = B♯+++ (Ben Johnston's notation). 531441/262144 = 1223.46 cents. Limit: 3-limit.